The H7600 from Eventide is a highly programmable, stereo, digital signal processor. Nearly 1,000 presets cover the entire gamut of signal processing, from lush reverbs, to choruses, flanges, delays, pitch shifters, dynamics, EQs, to filters, distortions, synthesizers, samplers and everything in between. The unit houses a single signal processor, delivering an unprecedented number of preset algorithms and processing power to musicians, producers and post-production professionals.
The H7600 builds on the rich heritage of Eventide's world-class H3000/DSP4000/DSP7000 series. With more processing power than its predecessors, the H7600 is the most powerful two-channel effects processor you can buy. More capabilities and better performance— the densest reverbs, lushest choruses, and highest quality pitch change ever. An enhanced user interface adds search capability so that the H7600 is even faster and easier to use - in the studio or on the road.
World-class reverb lives and breathes in the H7600. Stereo versions of the reverbs which earned Eventide the coveted Best Reverb Award from Studio Sound magazine are included the H7600. Dozens of new environments ranging from "Car Window" to mall spaces, big halls, plate reverbs, arenas, rooms, chambers, and even the "impossible" reverb we call "Black Hole" are found in the H7600. Whether it’s large or small, real or imagined, there’s a reverb for every musical genre and every post-production requirement.
Ordinary processors have a limited number of processing algorithms. Their programs and presets can only be variations of that limited repertoire. In sharp contrast, each of the H7600’s 1100 factory preset-algorithms are created from a wide array of effects building blocks — over 230 in all. In the H7600, each preset is its own unique algorithm.
The H7600 puts a highly flexible 174 seconds mono (87 seconds stereo) sampler at your fingertips. With stereo looping and multiple sampling capabilities, you can stack several samples and independently edit them, pitch shift, and/or time compress or expand them. Tap tempo looping adds to the versatility. From dance remixes to nuts-and-bolts radio and post-production, the H7600 sampler gets the job done and never ceases to impress.
Inputs 24-bit conversion Any combination of 2 XLR (20kW, bridging) or 2 mono jacks (150kW)
Impedance 20 K Ohm (bridging)
Full Scale Input Level 26 dBu
Dynamc Range >105dB
Signal-to-Noise Ratio >105dB, A-weighted
THD+N <.0025% @ 1kHz, -3dBFS
Crosstalk <-110dB @ 20Hz to 20kHz, -1dBFS
Frequency Response/Sample Rate +0/-0.1dB @ sample rate: 44.1kHz: 20Hz-20kHz, 48kHz: 20Hz-22kHz, 88.2kHz 20Hz-41kHz, 96kHz:20Hz-44kHz
XLR Balanced Impedance <50W
Full Scale Level Input Level 26dBu
Dynamic Range >105dB
Signal to Noise Ratio >105dB A-weighted
THD+N <.0025% @ 1kHz, -3dBFS
Frequency Response Sample Rate using "Thru" Preset +1/-0.1dB@sample rate: 44.1kHz: 20Hz-20kHz, 48kHz: 20Hz-22kHz, 88.2kHz 20Hz-41kHz, 96kHz:20Hz-44kHz
Other Connections Other Features
Remote Control RJ-45 for Eve/Net Bypass Relay AES and AUDIO signals bypassed at power down
Other Remote Control Inputs Up to 2 foot pedals (5V control inputs) or 6 foot switches, or combination Sampling with Time Compression/Expansion @ 48kHz Up to 174 seconds mono
Other Remote Control Outputs 2 isolated relay closures, rated at 1A at 30VDC
MIDI Connections MIDI In, MIDI Out, andn MIDI Thru
PCMCIA Interface 68 pin PCMCIA 2.0/JEIDA 4.0) Supports type 1 SRAM cards up to 4MB for data storage Compact Flash supported with CF to PCMCIA adaptor (supplied)
Sample Rates 44.1, 48, 88.2, 96kHz or external
DIGITAL Inputs/Outputs 2 channels AES/EBU or S/PDIF at 44.1 to 96kHz Word Clock I/O
The Gear Rack