The Fizmo is a 48-voice synthesizer which uses 2nd-generation Transwave technology to create very organic sounds unlike any other synth available.

The Ensoniq Fizmo was Ensoniq's last attempt at creating the perfect synthesizer. Developed in 1998, the Fizmo uses a Digital Acoustic simulation Transwave with 4 MB of ROM, up to 4 voices per preset, each voice with 2 oscillators, independent lfos and FX: 48 voices maximum, with 3 separate fx units (24-bit VLSI effects with 41 algorithms) built in for further sound sculpting. The Fizmo featured 61 keys, and responded to : velocity & after-touch, as well as allowing the sounds to be split by : velocity & keyboard. The name F-I-Z-M-O was mapped across 5 real-time control knobs just above the keyboard keys, allowing real-time modulation of the waves for more user controlled evolving sounds than a usual synthesizer could provide, as well as also having 17 dedicated Sound and Effect editing knobs for further sound design and editing.

The F-I-Z-M-O knobs did the following:

• F: Effect modulation. • I: Wave modulation. • Z: Filter cutoff. • M: Oscillator detuning. • O: Varies from Preset to Preset

Every programming function has its own dedicated knob or button, and there is a limited but useful 4-character LCD display. The Fizmo features an Arpeggiator and 24-bit VLSI effects with 41 algorithms, including a Vocoder and the ability to process incoming audio through the Vocoder and effects.

Transwave synthesis uses wavetables of sound data with layered variations in harmonic structures such that their timbres progress naturally from one end to the other. This allows for sounds to modulate over time, or by velocity, wheel, pressure, or any number of other options.

There are 2 oscillators available for each of the 4 presets allowing for 8 unique oscillators at the same time, not to mention individual LFO and Noise generators for each Osc. Another wonderful feature is the ability to stack up to four individual presets together into one sound and map them across the keyboard. This synth is very capable of some very complex sounds.

The built-in Arpeggiator has 118 presets which can be easily edited to your liking, and 26 real-time control/editing knobs make mutating your sound a pleasure. All controls may be recorded in real-time to an external sequencer.

 

  • Polyphony - 48 voices
  • Oscillators - 4 MB of 16-bit internal wave ROM, featuring Transwaves (created through digital synthesis and resynthesis technologies); 2 osc for each of 4 presets - total of 8 simultaneous - 58 waveforms
  • LFO - 8 LFO's (7 waveform choices, can sync to Arpeggiator or external MIDI clock)
  • Filter - Resonant LP & BP 4 pole filters. Non-Resonant 2LP+2HP, 3LP+1HP, 2LP+2LP, 3LP+1HP filters.
  • Effects - 41 digital VLSI 24-bit effects (8 Global Reverbs, Chorus, Flanger, DDL, Distortion, Tunable Speaker, Chatter Box, Vocal Morph, Auto-Wah, Vocoder); Processes incoming audio
  • Keyboard - 61 semi-weighted keys (velocity and channel pressure sensitive, 4 programmable key ranges, 4 possible zones)
  • Memory - 128 ROM sounds, Up to 128 RAM, 64 Presets
  • Control - MIDI (up to 4 polyphonic channels)
  • Date Produced - 1998

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